Our Land People Stories: Bangarra Dance Theatre at Canberra Theatre Centre, July 28-30, 2016.
National Tour dedicated to David Page.
Choreographers:
Macq by Jasmin Sheppard Music by David Page
Miyagan by Beau Dean Riley Smith and Daniel Riley Music by Paul Mac
Nyapanyapa by Stephen Page Music by Steve Francis
Sets designed by Jacob Nash
Costume Design by Jennifer Irwin
Lighting Design by Matt Cox
Reviewed by Frank McKone
July 28
Bangarra
belongs to this country in a way that I know I never fully can. I
arrived here a mere 61 years ago, invited by Australia’s non-Indigenous
government as a £10 Pom with little knowledge of the country’s short
history since 1788, and absolutely no idea of its true history since its
First People began arriving after their long trip from Africa about
50,000 years ago.
Tonight I feel privileged to have been invited
into our country by Bangarra, perhaps our only truly national theatre,
whose work is as modern as today while it stretches our culture back in
time, almost immemorial.
While I might refer back to
Shakespeare or Chaucer, or even with a lot of imagination back to
Ancient Greece, a mere couple of thousand years, the three dances
performed tonight take us first via Governor Macquarie’s declaration of
war in the Appin massacre of 1816 in Jasmin Sheppard’s Macq.
Then we go on a great learning curve of understanding of the matrilineal
totemic kinship system of the Wiradjuri nation still in place today
right here surrounding Canberra, in the Riley family’s Miyagan.
Finally,
after such powerful works by the younger choreographers, Bangarra’s
Artistic Director since the company’s inception 25 years ago, Stephen
Page, presents his new work derived from the art of Yolngu woman
Nyapanyapa Yunupingu, in a creative exchange where her paintings are
danced into our consciousness a world away from Yirrkala in far
North-East Arnhem Land. As Nyapanyapa pictures the changes over time of
new experiences, such as the arrival of buffalo and the young
generation’s modern music and dance, so she becomes the central figure
in Stephen Page’s dances. Like her, at my 75 years, I identify with the
shock of sometimes frightening change.
But Macq brought
me to tears as it made me think of the teenagers in the Northern
Territory’s Don Dale Juvenile Detention centre, seen being violently
ill-treated even to the point of torture on ABC TV’s Four Corners last
Monday night. The words spoken by the NT Chief Minister back in 2010
about putting juvenile ‘criminals’ in a ‘concrete hole’ and actions of
the detention guards were no improvement on Governor Macquarie’s diary
record of 1816 justifying killing all who failed to obey his soldiers’
orders.
Miyagan in contrast was a wonderful positive
experience to watch, as the dancers played for real, in their very
dancing, the theme of the work: ‘Wiradjuri culture, language and customs
are alive; our heartbeat is resilient and strong’.
It’s that
heartbeat, knowing that Bangarra dances are for real, danced with
knowledge and understanding of their history and culture, that makes
this company unique and essential for all of us Johnny-come-latelies to
learn from. May we learn to mind our ways.
©Frank McKone, Canberra
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