 |
| Frederick Brooks grave, Yurrkuru or Brooks Soak, Coniston, Northern Territory |
Whitefella Way by Jon Rhodes. Published by Darkwood.
Format Hardback | 275 pages
Publication date 01 Sep 2022
Publisher Jon Rhodes
Publication City/Country Australia
ISBN10 064680202X
Reviewed by Frank McKone
 |
| Mr. Waterhouse endeavouring to break the Spear after Governor Phillip was wounded by Wil-le-me-ring (Port Jackson Painter, Collins Cove, circa 1790) |
Jon Rhodes is a creative recorder of the past in the present. In Whitefella Way
he selects nine examples of points in time and place which document in
words, paintings and photographs, a thread linking Blak and Whitefella
cultural interaction 1788 to 2022.
This work is a development from his earlier highly acclaimed Cage of Ghosts
(2019 Winner NSW Community and Regional History Prize) which followed
his 2007 art photo exhibition of that title at the National Library of
Australia. The central image which stimulated his social and artistic
concern is of ancient rock art and graves enclosed in protective
barriers with the intention of preventing damage and disrespect. He saw
the irony of these cages for keeping ghosts safe.
Rhodes became
interested in non-Indigenous people, amateur and professional
archaeologists, who have recorded, for example, the rock engravings in
the Sydney region. My experience working with bushwalking colleague,
John Lough, around 1960, led to my providing a section of Chapter Five
in Cage of Ghosts, about the question “Who spent 25
years tracing thousands of Eora and Dharug rock engravings at night, and
what became of his hundreds of meticulously drawn surveys?”
Whitefella Way is laid out in a format similar to Cage of Ghosts,
with each chapter followed by extensive numbered footnotes. Each
chapter begins with a question, this time focussed on history connected
to an artefact and its place.
Reading and looking at the
artwork and photos is to read a story, of the past and often of the
discovery of the past, to find the answer. Then the Endnotes fill in
the details, often with surprising information – and provide you with a
sense of the depth of historical research that Rhodes has undertaken;
and with the sources which you may like to follow up according to your
particular interests and concerns about the relationship between
Australia’s oldest continuing culture on earth and the most recent
problematical import.
Each chapter begins with a map, of Port
Jackson (Sydney Harbour) for Chapter One, where we ask the question
about Bennelong and Collins Cove: “Why the confusion about exactly where the first Governor of New South Wales was speared on September 7, 1790?”
Examine the map, and you will find the spot in question: “Kay-yee-my
Collins Cove 1788 Manly Cove”. Three names; two histories. And much
more in the answer than I was ever taught in Year 9 Australian History.
Each
chapter has its own focus question, and so can be read as a story and
historical study in its own right. It seems a tenuous thread from one
to the next, yet in the meaning of each answer, for both cultures, we
come to understand what links the spearing of Capt Arthur Phillip to the
simple but quite massive marble stone in front of the Australian War
Memorial in the National Capital, Canberra:
THEIR NAME LIVETH FOR EVERMORE
Whitefella Way is intriguing to read – and crucially important to appreciate the need, now, for the truth-telling envisaged in the Uluru Statement from the Heart; especially from where I sit, in that National Capital, in Ngunnawal / Ngambri Country.
The publication is so up-to-date it makes “MY CHALLENGE TO Anthony Albanese” its forceful conclusion.
Not to be missed.
 |
| Black’s grave near Pindari, Edward Thomson, circa 1848 |
© Frank McKone, Canberra
No comments:
Post a Comment