Not Axel Harrison by Sam 
Floyd.  Freshly Ground Theatre at The Street Two, November 26 – December
 5 2009 (excluding Sundays and Mondays) at 8pm.    
Freshly
 Ground Theatre has carved a small but attractive niche in Canberra’s 
theatrical architecture.  The company is the vehicle for the writer Sam 
Floyd, whose work continues to show flair in this, their third, 
production.  
Not Axel Harrison is a parody of the 
gangster movie genre in which the hit man Axel Harrison (Tom Watson) is 
killed by his intended victim,Chris, a non-violent florist (Chris Brain)
 who disguises himself as Harrison not only to avoid detection as a 
murderer but to escape the attention of the gangster loan-shark Poncioni
 (David MacNamara)to whom he owes a large sum, which is why Poncioni had
 sent Harrison.
At this point the plot, involving the 
non-appearing Bruce (apparently already killed by Harrison), the 
dim-witted bodyguard Val (Adam Salter), Poncioni’s sexy aggressive 
daughter Donna (Becky Bergman), Micky the Mule (Jack Dyball), and the 
corrupt cop in Poncioni’s pocket, Spiegel (Daniel McCusker), follows a 
constantly twisted line of logic which should not be revealed here: 
better to see the play and be surprised.  Suffice to say, farce is the 
order of the day.
The performances varied in strength, 
with the commendations going to McNamara and Salter.  But the generation
 X, Y or Z audience was not looking for highly polished acting from a 
cast of their peers.  It was the dialogue and plot which carried the 
laughs, making for a successful light entertainment.
Floyd’s
 work has antecedents in Joe Orton’s Loot and Tom Stoppard’s The Real 
Inspector Hound.  Both those writers had the advantage of being able to 
participate in the British repertory and university traditions in their 
day.  Freshly Ground’s niche is in this mould, but Canberra cannot boast
 the equivalent of the Cambridge University Footlights, the progenitor 
of much zany British comedy since the 1960s.
Maybe this
 is the time for Floyd and those around him to take up where Elbow 
Theatre left off and build our own Capital new wave of original young 
writers.
© Frank McKone, Canberra 
 
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