Tuesdays with Morrie by Jeffrey Hatcher and Mitch Albom.
Ensemble Theatre directed by Mark Kilmurry at The Q, Queanbeyan
Performing Arts Centre, March 10-12, 2011.
Reviewed by Frank McKone
March 10
I have to eat humble pie tonight. Each of us responds to what we see from our own different perspectives.
Watching
this play in my role as theatre critic, I saw a predictable moralistic
sentimental story using the death of Professor Morrie Schwartz from Lou
Gehrig’s disease as a contrived device, sugar-coated with carefully
managed laughs.
I also saw a production highly
skilfully designed, directed and acted. Daniel Mitchell faced a
difficult task to avoid over-playing the Professor, but maintained a
disciplined balance between making the inevitable one-liners into
cartoon jokes and playing the physical horror of the disease for the
horror rather than empathy. Glenn Hazeldine, as Mitch Albom, who wrote
the original story that the play was developed from, had to switch
regularly between playing Mitch as if in a realistic relationship with
Morrie – every Tuesday – and playing Albom, the narrator of his story.
By using stylised posture, movement and voice, Hazeldine clearly
delineated each role. What otherwise might have been a repetitive
series of question and answer in a lesser actor became a dramatic
dialectic, giving the play more appearance of depth than the content of
the text deserves.
However, for most of the audience –
senior students from the two Canberra Grammar Schools – my perspective
was well outside of the range of their radar. Their attention was
focussed in the immediate heat of the emotion, not the distant cool of
criticism. They were bubbling with excitement in the foyer beforehand
anticipating seeing Sydney actors perform the play they had been working
on. The actors’ skills did not disappoint. The young absorbed the
performance as if it were music, directly responding with laughter,
shock and tears, as well as a resounding standing ovation for the actors
at curtain call. For them this was great theatre, and who am I to deny
their experience?
Like Mitch, who failed to “keep in
touch” with his favourite professor for 16 years, I have not taught
College students for 16 years and realised tonight how much I have
become out of touch with the immediacy of people’s feelings at that
transition from teenage to adulthood. Tuesdays with Morrie may
not be my play, but this production certainly made it this audience’s
dramatic experience. The Q is to be congratulated for including it in
this year’s program, and I hope it foreshadows more Ensemble productions
in future.
© Frank McKone, Canberra
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